For the first time, ECHO Klassik prize-winner Khatia Buniatishvili has set her sights on the two most popular piano concertos

No soprano these days sings Bellini’s Norma, then Verdi’s Violetta, then Tchaikovsky’s Tatiana, then releases an album of Handel arias, all in a few months.

Few concerts can claim to generate such tremendous international interest as the New Year’s Concert from Vienna.